Using 5.1 clips in a Multichannel Sequence Make a reverb ring-out 5.1 mixing and editing Time Remapping and Audio Multi-channel AudioĪudio Output Mapping preference Multi-channel Audio Exportĥ.1 Track Layout for QuickTime Audio Sweetening, Mastering and MixingĪdd Compressor and Limiter to Master Track Keyboard shortcuts to raise and lower volume Speech analysis Audio Stuff in the Source MonitorĮdit Multi-Clips in the Source Monitor Audio Stuff in the Timeline Gaining and Normalizing in the Project Panel Submix Tracks Audio Stuff in the Project PanelĪudio channel patching in the Project Panel Temporal relations of sound Types of Audio This chapter was downloaded 145 times before it went EOL. Sorry, this chapter is no longer available Read more about The Cool Stuff in Premiere Pro here. The chapter has been updated to cover more features added to Premiere Pro since this was released, and is now part of the book. Make perfect fades with Bezier curved fades.Īlmost 200 illustrations makes everything crystal clear. Learn clever audio UI tricks that will speed up your audio editing immensely! Understand what the many Audio Preferences mean, and how to work with Dual System Sound, Speech Analysis, Submixes and Control Surfaces. Match Volume to Broadcast standards and export better OMF. Read how to create simple sound effects and how to enhance your audio in Adobe Audition using the almost magical Noise Reduction, DeClipper and the Healing Brush. In addition to this fundamental knowledge you’ll learn how to record Voice-Overs, how to mix and sweeten your audio and how add and adjust EQ, Compression and other effects. Need to export 32 audio channels? You’ll learn how. You’ll also learn how to make Multichannel timelines where you can route audio tracks to whatever outputs you need – and how to treat a 5.1 mix. You’ll learn how to make Premiere treat Stereo clips as Dual Mono (like FCP and Avid does), and understand the difference between Mono, Standard, 5.1, Adaptive and Multichannel clips and tracks. In this chapter you’ll learn everything about how to decide what channels from a source to import and what channels to put on the timeline. See the web page for the updated book here. The updated version of The Cool Stuff in Premiere Pro will be available this September, and the single chapters from the 2015 version are no longer available. Update July 2017: This chapter is no longer available You’ll get a full overview of the complete audio chain in Premiere Pro CC. Once you understand the logic behind the audio handling in Premiere, you’ll see that it’s very powerful and deep. Premiere Pro CC handles audio in very different ways from all of these.
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